Diferencia entre revisiones de «Cantiones septem, sex et quinque vocum. Longe gravissimae, iuxta ac amoenissimae, in Germania maxime hactenus Typis non excusae»
(→FICHA DEL CANCIONERO) |
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(No se muestran 10 ediciones intermedias del mismo usuario) | |||
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− | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707" width="187">Observación general<br /> | + | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707" width="187">Observación general<br /></td> |
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | ||
+ | Son dos impresiones del mismo libro, 1545 y 1546. | ||
</td> | </td> | ||
</tr> | </tr> | ||
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Otros nombres</td> | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Otros nombres</td> | ||
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | ||
− | * Cantiones septem, sex et quinque vocum 1545 | + | * [[Cantiones septem, sex et quinque vocum 1545]] |
− | * Cantiones septem, sex et quinque vocum 1546 | + | * [[Cantiones septem, sex et quinque vocum 1546]] |
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<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | ||
* Edición 1545 | * Edición 1545 | ||
− | ** | + | ** Europa - Austria - Viena - Österreichische Nationalbibliothek. |
+ | ** Europa - Alemania - Augsburgo - Staats und Stadtbibliothek Augsburg, | ||
+ | ** Europa - Alemania - Munich - Bayerische Staatsbibliothek Musikabteilung. | ||
+ | ** Europa - Alemania - Munich - Universitätsbibliothek, Ludwig-Maximilians-Universität. | ||
+ | ** Europa - Italia - Milán - Biblioteca del Conservatorio di Musica Giuseppe Verdi. | ||
+ | * Edición 1546 | ||
+ | ** Europa - Alemania - Augsburgo - Staats- und Stadtbibliothek Augsburg. | ||
+ | ** Europa - Alemania - Augsburgo - Staats- und Stadtbibliothek Augsburg. | ||
+ | ** Europa - Alemania - Munich - Bayerische Staatsbibliothek Musikabteilung. | ||
</td> | </td> | ||
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Edición facsimil</td> | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Edición facsimil</td> | ||
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | ||
− | * | + | *Edición 1545 |
− | * [https://stimmbuecher.digitale-sammlungen.de/view?id= | + | ** [https://stimmbuecher.digitale-sammlungen.de/view?id=bsb00071950 Bayerischen Staatsbibliothek] |
− | * [https:// | + | ** [https://epub.ub.uni-muenchen.de/11766/1/Cim._44k.pdf Ludwig Maximilians Universität München] Sólo el cuaderno de Quinta Vox |
+ | * Edición 1546 | ||
+ | ** [https://stimmbuecher.digitale-sammlungen.de/view?id=bsb00084895 Bayerischen Staatsbibliothek] | ||
</td> | </td> | ||
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Data obras</td> | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Data obras</td> | ||
− | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | + | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"></td> |
</tr> | </tr> | ||
<tr> | <tr> | ||
<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Contenido</td> | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Contenido</td> | ||
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | ||
− | + | 32 obras de distintos autores. | |
</td> | </td> | ||
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Referencias</td> | <td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Referencias</td> | ||
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | <td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px"> | ||
− | * [https://hispanicpolyphony.eu/ Libros de | + | * Edición 1545 |
− | * | + | ** RISM 1545/3 |
− | * D- | + | ** [https://opac.rism.info/metaopac/singleHit.do?methodToCall=showHit&curPos=2&identifier=251_SOLR_SERVER_1384088416 RISM] |
− | * D-Mbs 4 Mus.pr. | + | ** [https://hispanicpolyphony.eu/search/node/1545/3 Libros de Polifonía Hispana] |
− | * D- | + | ** A-Wn SA.76.D.3/1-5 |
− | * | + | ** D-As Tonk 1330 |
− | * | + | ** D-Mbs 4 Mus.pr. 0102 |
+ | ** D-Mu Cim.44k | ||
+ | ** I-Mc SB.054.1 | ||
+ | * Edición 1546 | ||
+ | ** RISM 1546/5 | ||
+ | ** [https://opac.rism.info/metaopac/singleHit.do?methodToCall=showHit&curPos=1&identifier=251_SOLR_SERVER_1384088416 RISM] | ||
+ | ** [https://hispanicpolyphony.eu/search/node/1546/5 Libros de Polifonía Hispana] | ||
+ | ** D-As Tonk Schl 420-424 | ||
+ | ** D-As Tonk Schl 118-122 | ||
+ | ** D-Mbs 4 Mus.pr. 0094 | ||
</td> | </td> | ||
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== RELACIÓN DE OBRAS == | == RELACIÓN DE OBRAS == | ||
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<table style="width: 805px;" border="1" cellspacing="5" cellpadding="0" align="center"> | <table style="width: 805px;" border="1" cellspacing="5" cellpadding="0" align="center"> | ||
Línea 116: | Línea 134: | ||
<td>Nombre</td> | <td>Nombre</td> | ||
<td>Autor</td> | <td>Autor</td> | ||
− | |||
</tr> | </tr> | ||
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">29</td><td align="left" width="400">Assumpta est Maria in coelum</td><td align="left" width="240">Jerónimo Vinders</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">20</td><td align="left" width="400">Benedic domine domun istam</td><td align="left" width="240">Benedictus Appenzeller</td></tr> |
− | <tr><td align="center" width="5">4</td><td align="left" width="400"> | + | <tr><td align="center" width="5">4</td><td align="left" width="400">Benedicat te dominus in virtute sua</td><td align="left" width="240">Magister Jhan</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">12</td><td align="left" width="400">[[Caeciliam cantate pij, cantate pudici]]</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">8</td><td align="left" width="400">Coeli Deus omnipotens benedicat tibi</td><td align="left" width="240">Magister Jhan</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">27</td><td align="left" width="400">Corde et animo Christo canamus gloriam</td><td align="left" width="240">Benedictus Appenzeller</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">11</td><td align="left" width="400">Cursu festa dies sidereo</td><td align="left" width="240">Lupus Hellinck</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">9</td><td align="left" width="400">Dum fabricator mundi</td><td align="left" width="240">Johannes Lupi</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">16</td><td align="left" width="400">[[Ego flos campi et lilium convallium]]</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">19</td><td align="left" width="400">Ego sum qui sum</td><td align="left" width="240">Jean Conseil</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">24</td><td align="left" width="400">En quam honesta et jucunda res est</td><td align="left" width="240">Johan Heugel</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">14</td><td align="left" width="400">In dedicatione Templi</td><td align="left" width="240">Petrus Jordan</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">15</td><td align="left" width="400">In illo tempore: cum audissent Apostoli</td><td align="left" width="240">Tielman Susato</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">21</td><td align="left" width="400">[[In illo tempore: cum audissent Apostoli]]</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">32</td><td align="left" width="400">In nomine Iesu omne genu flectatur</td><td align="left" width="240">Jacquet of Mantua</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">26</td><td align="left" width="400">laudate dominum omnes gentes</td><td align="left" width="240">Lupus Hellinck</td></tr> |
− | <tr><td align="center" width="5"> | + | <tr><td align="center" width="5">18</td><td align="left" width="400">Ne projicias me in tempore</td><td align="left" width="240">Lupus Hellinck</td></tr> |
+ | <tr><td align="center" width="5">22</td><td align="left" width="400">Nesciens mater virgo virum</td><td align="left" width="240">Josquin Desprez</td></tr> | ||
+ | <tr><td align="center" width="5">13</td><td align="left" width="400">Non turbetur cor vestrum</td><td align="left" width="240">Jean Richafort</td></tr> | ||
+ | <tr><td align="center" width="5">6</td><td align="left" width="400">Obsecro domine mitte quem missurus es</td><td align="left" width="240">Adrian Willaert</td></tr> | ||
+ | <tr><td align="center" width="5">31</td><td align="left" width="400">Parasti in dulcedine tua pauperi</td><td align="left" width="240">Nicolle des Celliers de Hesdin</td></tr> | ||
+ | <tr><td align="center" width="5">10</td><td align="left" width="400">Quis est iste qui progreditur quasi aurora</td><td align="left" width="240">Claudin de Sermisy</td></tr> | ||
+ | <tr><td align="center" width="5">7</td><td align="left" width="400">Responsum acceperat Simeon a spiritu</td><td align="left" width="240">Josquin Desprez</td></tr> | ||
+ | <tr><td align="center" width="5">1</td><td align="left" width="400">Sex sunt quae odit Dominus</td><td align="left" width="240">Six Dietrich</td></tr> | ||
+ | <tr><td align="center" width="5">17</td><td align="left" width="400">Si dereliqui te domine ignosce mihi</td><td align="left" width="240">Magister Jhan</td></tr> | ||
+ | <tr><td align="center" width="5">30</td><td align="left" width="400">Signum salutis, pone domine Iesu</td><td align="left" width="240">Thomas Crecquillon</td></tr> | ||
+ | <tr><td align="center" width="5">3</td><td align="left" width="400">Soror mea Lucia virgo, Deo devota</td><td align="left" width="240">Anónimo</td></tr> | ||
+ | <tr><td align="center" width="5">23</td><td align="left" width="400">[[Surge, propera amica mea]]</td><td align="left" width="240">[[Damião de Góis]]</td></tr> | ||
+ | <tr><td align="center" width="5">25</td><td align="left" width="400">Tu Deus noster, suavis et veris</td><td align="left" width="240">Johannes Lupi</td></tr> | ||
+ | <tr><td align="center" width="5">2</td><td align="left" width="400">Tu Domine uniuersorum</td><td align="left" width="240">Noel Bauldeweyn</td></tr> | ||
+ | <tr><td align="center" width="5">28</td><td align="left" width="400">[[Tu es petrus et super hanc petram]]</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr> | ||
+ | <tr><td align="center" width="5">5</td><td align="left" width="400">Venator lepores mittet tibi</td><td align="left" width="240">Adrian Willaert</td></tr> | ||
Revisión actual del 09:22 11 abr 2020
Sumario
FICHA DEL CANCIONERO
Observación general |
Son dos impresiones del mismo libro, 1545 y 1546. |
Justificación | Entre los autores, Cristóbal de Morales y Nicolas Gombert. |
Nombre de referencia | Cantiones septem, sex et quinque vocum. Longe gravissimae, iuxta ac amoenissimae, in Germania maxime hactenus Typis non excusae. Ad lectorem |
Nombre en la edición original | Cantiones septem, sex et quinque vocum. Longe gravissimae, iuxta ac amoenissimae, in Germania maxime hactenus Typis non excusae. Ad lectorem. Per mare quen Delphin transuexit & orphea, vatem, Concentu dulci musica nostra refert. |
Otros nombres | |
Edición original | Impreso |
Lugar de la edición | Augsburgo, en casa de Melchior Kriesstein |
Data de la edición |
|
Ubicación actual del original |
|
Edición facsimil |
|
Ediciones modernas | |
Data obras | |
Contenido |
32 obras de distintos autores. |
Lenguas | Latín |
Referencias |
|
Observación 1 |
RELACIÓN DE OBRAS
Nº |
Nombre | Autor |
29 | Assumpta est Maria in coelum | Jerónimo Vinders |
20 | Benedic domine domun istam | Benedictus Appenzeller |
4 | Benedicat te dominus in virtute sua | Magister Jhan |
12 | Caeciliam cantate pij, cantate pudici | Nicolas Gombert |
8 | Coeli Deus omnipotens benedicat tibi | Magister Jhan |
27 | Corde et animo Christo canamus gloriam | Benedictus Appenzeller |
11 | Cursu festa dies sidereo | Lupus Hellinck |
9 | Dum fabricator mundi | Johannes Lupi |
16 | Ego flos campi et lilium convallium | Nicolas Gombert |
19 | Ego sum qui sum | Jean Conseil |
24 | En quam honesta et jucunda res est | Johan Heugel |
14 | In dedicatione Templi | Petrus Jordan |
15 | In illo tempore: cum audissent Apostoli | Tielman Susato |
21 | In illo tempore: cum audissent Apostoli | Nicolas Gombert |
32 | In nomine Iesu omne genu flectatur | Jacquet of Mantua |
26 | laudate dominum omnes gentes | Lupus Hellinck |
18 | Ne projicias me in tempore | Lupus Hellinck |
22 | Nesciens mater virgo virum | Josquin Desprez |
13 | Non turbetur cor vestrum | Jean Richafort |
6 | Obsecro domine mitte quem missurus es | Adrian Willaert |
31 | Parasti in dulcedine tua pauperi | Nicolle des Celliers de Hesdin |
10 | Quis est iste qui progreditur quasi aurora | Claudin de Sermisy |
7 | Responsum acceperat Simeon a spiritu | Josquin Desprez |
1 | Sex sunt quae odit Dominus | Six Dietrich |
17 | Si dereliqui te domine ignosce mihi | Magister Jhan |
30 | Signum salutis, pone domine Iesu | Thomas Crecquillon |
3 | Soror mea Lucia virgo, Deo devota | Anónimo |
23 | Surge, propera amica mea | Damião de Góis |
25 | Tu Deus noster, suavis et veris | Johannes Lupi |
2 | Tu Domine uniuersorum | Noel Bauldeweyn |
28 | Tu es petrus et super hanc petram | Cristóbal de Morales |
5 | Venator lepores mittet tibi | Adrian Willaert |
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