Ver el código de «Holanda - Utrecht - Biblioteca de la Universidad de Utrecht - NL-Uu Hs. 3 L 16»

[[Categoría:Cancioneros Cortesanos s XVII]]
[[Categoría:Cancioneros Cortesanos]]
[[Categoría:Temática Ambas]]
[[Categoría:estadisticas CC]]



== FICHA DEL CANCIONERO ==
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707" width="187">Observación general<br /><br /></td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Justificación</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Nombre de referencia</td>
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Holanda - Utrecht - Biblioteca de la Universidad de Utrecht - NL-Uu Hs. 3 L 16
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Nombre en la edición original</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Otros nombres</td>
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* Códex Lerma
* Códice Lerma
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Edición original</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Lugar de la edición</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">España, algunos opinan que en Palencia.
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Data de la edición</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">Alrededor de 1600
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Ubicación actual del original</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Edición facsimil</td>
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* [http://objects.library.uu.nl/reader/index.php?obj=1874-27572&lan=en&_ga=2.20217533.405929441.1585477661-469927667.1585477661#page//59/89/19/59891961947436321450710460237922074932.jpg/mode/1up Orinal de la Biblioteca de la Universidad de Utrecht]
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Ediciones modernas</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Data obras</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Contenido</td>
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130 obras
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Lenguas</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Referencias</td>
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* [https://bc.library.uu.nl/codex-lerma-spanish-musical-treasure-scrawls.html Ficha Biiblioteca de la Universidad de Utrecht]
* [http://objects.library.uu.nl/reader/index.php?obj=1874-27572&lan=en&_ga=2.20217533.405929441.1585477661-469927667.1585477661#page//59/89/19/59891961947436321450710460237922074932.jpg/mode/1up Orinal de la Biblioteca de la Universidad de Utrecht]
* NL-Uu Hs. 3 L 16
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Observación 1</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Observación 2</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Observación 3</td>
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== RELACIÓN DE OBRAS ==
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<p>Nº</p>
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<td>Nombre</td>
<td>Autor</td>

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<tr><td align="center" width="5">3</td><td align="left" width="400">A ce matin ce seroit bonne estreine</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">126</td><td align="left" width="400">A qui me dois je retirer Puisque mon ami</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">33</td><td align="left" width="400">Alix avoit aux dens la male rage</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">28</td><td align="left" width="400">Anchor che col partire io mi senta morire</td><td align="left" width="240">Cipriano de Rore</td></tr>
<tr><td align="center" width="5">122</td><td align="left" width="400">Ancor ch'io possa dire che d'haver</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">78</td><td align="left" width="400">Apri vulcan lo speco</td><td align="left" width="240">Philippe de Monte</td></tr>
<tr><td align="center" width="5">15</td><td align="left" width="400">Ardant amour souvent me fait instance</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">71</td><td align="left" width="400">Ardant amour souvent me fait instance</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">90</td><td align="left" width="400">Au joli bois sur la verdure de mon ami</td><td align="left" width="240">Johannes Lupi</td></tr>
<tr><td align="center" width="5">5</td><td align="left" width="400">Avecque vous mon amour finira Puisque mon coeur</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">79</td><td align="left" width="400">Ayme qui vouldra le mieulx qui pourra</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">141</td><td align="left" width="400">Beata es virgo Maria quae Dominum portasti II: Ave Maria gratia plena Dominus tecum</td><td align="left" width="240">Philippe Verdelot</td></tr>
<tr><td align="center" width="5">129</td><td align="left" width="400">Benedicta es caelorum regina et mundi 23.13 II: Per illud ave prolatum III: Nunc mater exora natum</td><td align="left" width="240">Josquin Despres</td></tr>
<tr><td align="center" width="5">13</td><td align="left" width="400">Bon iour mon coeur bon jour ma douce vie</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">17</td><td align="left" width="400">Ce faux amour d'arc et de fléches s'arme</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">35</td><td align="left" width="400">Ce mois de may sur la rousée jouer irons</td><td align="left" width="240">Multiples atribuciones</td></tr>
<tr><td align="center" width="5">67</td><td align="left" width="400">Comme un qui prend une couppe seul</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">64</td><td align="left" width="400">Crainte et espoir m'oppressent grandement</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">92</td><td align="left" width="400">D'ami parfait le vrai tiltre et honneur</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">68</td><td align="left" width="400">De tout mon coeur j'aime la Marguerite</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">36</td><td align="left" width="400">Demande vous qui me fait si joyeux</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">121</td><td align="left" width="400">Dolce cantar s'udia gioia et dolcezza</td><td align="left" width="240">Giovan Leonardo Primavera</td></tr>
<tr><td align="center" width="5">19</td><td align="left" width="400">Du corps absent le coeur je te presente</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">128</td><td align="left" width="400">Ecco ch'io lass'il core a chi nutrisce</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">94</td><td align="left" width="400">Elle a mon coeur</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">89</td><td align="left" width="400">Elle s'en va de moi la mieux aimée</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">18</td><td align="left" width="400">En espoir vis et crainte me tourmente</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">34</td><td align="left" width="400">Entre vous filles de quinze ans ne venes</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">49</td><td align="left" width="400">Fa re mi la re sol fa</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">41</td><td align="left" width="400">[[fabordon (1) sin texto]]</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr>
<tr><td align="center" width="5">42</td><td align="left" width="400">[[fabordon (2) sin texto]]</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr>
<tr><td align="center" width="5">43</td><td align="left" width="400">[[fabordon (3) sin texto]]</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr>
<tr><td align="center" width="5">44</td><td align="left" width="400">[[fabordon (4) sin texto]]</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr>
<tr><td align="center" width="5">45</td><td align="left" width="400">[[fabordon (5) sin texto]]</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr>
<tr><td align="center" width="5">61</td><td align="left" width="400">[[fabordon (6) sin texto]]</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">107</td><td align="left" width="400">Forbons</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">119</td><td align="left" width="400">Fortuna alata il pie calva la testa</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">131</td><td align="left" width="400">Fremuit spiritu Jesus et turbavit seipsum II: Videns Dominus flentes sorores Lazari</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">9</td><td align="left" width="400">Fuyons tous d'amour le ieu comme le feu</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">104</td><td align="left" width="400">Haec est arbor dignissima in qua salutis</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">20</td><td align="left" width="400">Haste vous de moi faire grace sans point</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">10</td><td align="left" width="400">Helas quel iour seray-je à mon vouloir</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">50</td><td align="left" width="400">Hortens</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">93</td><td align="left" width="400">Il me suffit de tous mes maulx</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">132</td><td align="left" width="400">In te Domine speravi - 1a pars (of 2): In te Domine speravi non confundar</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">29</td><td align="left" width="400">Io mi son giovinetta et volontieri II: Io vo per verdi prati riguardando</td><td align="left" width="240">Domenico Maria Ferrabosco</td></tr>
<tr><td align="center" width="5">72</td><td align="left" width="400">J'attens le temps ayant ferme esperance</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">8</td><td align="left" width="400">Je layme bien et l'aymeray en ce propos</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">37</td><td align="left" width="400">Je prends en grei le dure mort</td><td align="left" width="240">Multiples atribuciones</td></tr>
<tr><td align="center" width="5">83</td><td align="left" width="400">Jendure un tourment des tourments le pire</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">56</td><td align="left" width="400">Justempus</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">30</td><td align="left" width="400">Juvons beau jeu tout en riant si faisons</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">32</td><td align="left" width="400">La cortesia voi donne predicate ma mai</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">63</td><td align="left" width="400">La me tiendraÿ = Cherchant plaisir je meur du mal d'aymer</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">91</td><td align="left" width="400">La non ailleurs le triste coeur demeure</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">115</td><td align="left" width="400">La ver l'aurora che sì dolce l'aura</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">127</td><td align="left" width="400">Languir me fais sans t'avoir offensée</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">84</td><td align="left" width="400">Las pour souffrire ne puis vaincre fortune</td><td align="left" width="240">Philippe de Monte</td></tr>
<tr><td align="center" width="5">59</td><td align="left" width="400">Las segidillas</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">22</td><td align="left" width="400">Las voules vous qu'une personne chante</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">86</td><td align="left" width="400">Le bergier et la bergiere sont a l'ombre</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">77</td><td align="left" width="400">Le rossignol plaisant et gracieulx</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">11</td><td align="left" width="400">Le temps peult bien un beau teint effacer</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">95</td><td align="left" width="400">Le temps viendra</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">75</td><td align="left" width="400">Le voules vous je suis tresbien contente</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">51</td><td align="left" width="400">Lutens</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">110</td><td align="left" width="400">Ma tu prende a diletto i dolor miei Pars II of Fiera stella se'l ciel</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">4</td><td align="left" width="400">Maistre Robin  (Monsieur l'Abbé et monsieur son varlet)</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">14</td><td align="left" width="400">Margot laboures les vignes vigne vigne</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">1</td><td align="left" width="400">Martin menoit son pourceau au marche</td><td align="left" width="240">Clement Janequin</td></tr>
<tr><td align="center" width="5">69</td><td align="left" width="400">Mon coeur ravi d'amour fort variable</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">73</td><td align="left" width="400">Mon coeur se recommande a vous</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">97</td><td align="left" width="400">Mon pere si me Maria vous m'entendes</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">140</td><td align="left" width="400">Mon seul</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">111</td><td align="left" width="400">Nasce la gioia mia ogni volta ch'io</td><td align="left" width="240">Giovanni Ferretti</td></tr>
<tr><td align="center" width="5">120</td><td align="left" width="400">Nasce la gioia mia ogni volta ch'io</td><td align="left" width="240">Giovan Leonardo Primavera</td></tr>
<tr><td align="center" width="5">112</td><td align="left" width="400">Nasce la pena mia non potendo mirar</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">102</td><td align="left" width="400">No me podre quexar damor</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">24</td><td align="left" width="400">O come heureux j'estimeroys mon coeur</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">138</td><td align="left" width="400">O crucis victoria et admirabilem signum</td><td align="left" width="240">Jacopo Corfini</td></tr>
<tr><td align="center" width="5">137</td><td align="left" width="400">O Domine salvum me fac O Domine</td><td align="left" width="240">Jacopo Corfini</td></tr>
<tr><td align="center" width="5">105</td><td align="left" width="400">O felici ochi miei quando fusti beati</td><td align="left" width="240">Jacques Berchem</td></tr>
<tr><td align="center" width="5">106</td><td align="left" width="400">Or il ne m'est possible d'avoir quelque confort</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">38</td><td align="left" width="400">Orsus a cop qu'on se resveille venez ouir</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">26</td><td align="left" width="400">[[Pange lingua gloriosi corporis misterium]]</td><td align="left" width="240">[[Juan de Urrede]]</td></tr>
<tr><td align="center" width="5">134</td><td align="left" width="400">Pange lingua gloriosi corporis mysterium</td><td align="left" width="240">Ibrico Gandi</td></tr>
<tr><td align="center" width="5">46</td><td align="left" width="400">Par tous moiens j'ai cherchie</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">130</td><td align="left" width="400">Pater noster / Ave Maria 20.9 - 2a pars (of 2): Ave Maria gratia plena Dominus tecum</td><td align="left" width="240">Josquin Despres</td></tr>
<tr><td align="center" width="5">58</td><td align="left" width="400">Pavana Francesa</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">116</td><td align="left" width="400">Pero s'oltra suo stil ella s'avventa Pars II of Amor io fallo e veggio il mio fallire</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">2</td><td align="left" width="400">Petitte folle estes vous pas contente</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">65</td><td align="left" width="400">Pis ne me peult venir que j'ai jusques ici</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">98</td><td align="left" width="400">Plaisir n'ai plus mais vis en desconfort</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">117</td><td align="left" width="400">Poi che spiegat'ho l'ale al bel desio II: La voce del mio cor per l'aria</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">142</td><td align="left" width="400">Pon fren al gran dolor Pars VII of Che debb'io far che mi consigli amore</td><td align="left" width="240">Vincenzo Ruffo</td></tr>
<tr><td align="center" width="5">40</td><td align="left" width="400">Ps. 4: Cum invocarem exaudivit me Deus</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">39</td><td align="left" width="400">Ps. 50: Miserere mei Deus secundum magnam</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">47</td><td align="left" width="400">Puisque voulez que je vous laisse adieu</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">6</td><td align="left" width="400">Quand mon mari vient de dehors ma rente</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">85</td><td align="left" width="400">Quant ie suis au prez de mamie</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">139</td><td align="left" width="400">Quem vidistis pastores dicite annunciate</td><td align="left" width="240">Jacopo Corfini</td></tr>
<tr><td align="center" width="5">21</td><td align="left" width="400">Qui dort icy le faut il demander</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">62</td><td align="left" width="400">Regret, ennuye, travail et déplaisance</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">100</td><td align="left" width="400">Resveilles vous c'est trop dormy faisons?</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">27</td><td align="left" width="400">Sacra solemniis juncta sint gaudia</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">57</td><td align="left" width="400">Sapia</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">113</td><td align="left" width="400">Sara che cessi O che s'allenti mai Pars II of O messaggi del cor sospiri ardenti</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">103</td><td align="left" width="400">Si el mirar</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">99</td><td align="left" width="400">Si je prometz</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">123</td><td align="left" width="400">Si me tenes tant de riguer madame</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">81</td><td align="left" width="400">Si par souffrir l'on peult vaincre fortune</td><td align="left" width="240">Cornelius Canis</td></tr>
<tr><td align="center" width="5">88</td><td align="left" width="400">Si par souffrir l'on peult vaincre fortune</td><td align="left" width="240">Philippe de Monte</td></tr>
<tr><td align="center" width="5">12</td><td align="left" width="400">Si par souhait ie vous tenoye secretement</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">25</td><td align="left" width="400">Si pur ti gardo dolce anima mia</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">60</td><td align="left" width="400">Sin texto</td><td align="left" width="240">[[Cristóbal de Morales]]</td></tr>
<tr><td align="center" width="5">118</td><td align="left" width="400">Sogni mio ben havete raccolto in le rosate</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">82</td><td align="left" width="400">Souffrir me convient je dis pour un temps</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">48</td><td align="left" width="400">Soyons ioyeulx joyeusement et puis chantons</td><td align="left" width="240">Nicholas de Wisme</td></tr>
<tr><td align="center" width="5">16</td><td align="left" width="400">Soyons ioyeux sur la plaisante verdure</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">135</td><td align="left" width="400">Stolto mio core ove sì lieto vai</td><td align="left" width="240">Philippe de Monte</td></tr>
<tr><td align="center" width="5">87</td><td align="left" width="400">Sur tous regrets le mien plus piteux</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">66</td><td align="left" width="400">Susanna [= Susanne un jour d'amour solicitée par deux viellards]</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">133</td><td align="left" width="400">Tant vous alles doulx Guillemette</td><td align="left" width="240">Ebran</td></tr>
<tr><td align="center" width="5">101</td><td align="left" width="400">Tirsi morir volea gl'occhi mirando di colei II: Frenò Tirsi il desio ch'havea di pur III: Cosi moriro i fortunati amanti</td><td align="left" width="240">Luca Marenzio</td></tr>
<tr><td align="center" width="5">124</td><td align="left" width="400">Tous les regrets qu'oncques furent au monde</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">80</td><td align="left" width="400">Triste depart m'avoit mis en douleur</td><td align="left" width="240">[[Nicolas Gombert]]</td></tr>
<tr><td align="center" width="5">7</td><td align="left" width="400">Trop endurer sans avoir allegeance</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">31</td><td align="left" width="400">Tu sai madonna mia ch'io t'amo et voglio</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">136</td><td align="left" width="400">Tua est potentia tuum regnum Domine</td><td align="left" width="240">Jacopo Corfini</td></tr>
<tr><td align="center" width="5">125</td><td align="left" width="400">Ultimi miei sospiri che mi lasciate</td><td align="left" width="240">Philippe Verdelot</td></tr>
<tr><td align="center" width="5">23</td><td align="left" width="400">Un doulx nenni avec un doulx soubrire</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">52</td><td align="left" width="400">Un gay berger prioit une bergère</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">53</td><td align="left" width="400">Un souvenir en fermete constante jamais</td><td align="left" width="240">Thomas Crecquillon</td></tr>
<tr><td align="center" width="5">70</td><td align="left" width="400">Ung triste coeur rempli de fantasie</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">55</td><td align="left" width="400">Venes mes serfs et Bachus adorons</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">109</td><td align="left" width="400">Venit vox de caelo cum luce superna II: Respondit miles quis es tu Domine</td><td align="left" width="240">Jacob Clemens non Papa</td></tr>
<tr><td align="center" width="5">76</td><td align="left" width="400">Veux tu ton mal et le mien secourir</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">54</td><td align="left" width="400">Vivons vivons joyeusement sans plus grand soucy</td><td align="left" width="240">Claudio Merulo</td></tr>
<tr><td align="center" width="5">114</td><td align="left" width="400">Voglia mi sprona amor mi guida e scorge</td><td align="left" width="240">Alessandro Striggio</td></tr>
<tr><td align="center" width="5">108</td><td align="left" width="400">Vostre a jamais par heritage me poves</td><td align="left" width="240">Josquin Baston</td></tr>
<tr><td align="center" width="5">74</td><td align="left" width="400">Vous qui ayme les dames bland loquimini</td><td align="left" width="240">Orlando di Lasso</td></tr>
<tr><td align="center" width="5">96</td><td align="left" width="400">Vous seulement</td><td align="left" width="240">Simon Moreau</td></tr>



</table>
<br />

== HECHOS HISTÓRICOS ==
<br />
Si desea ver una relación de hechos históricos de la época, pinche en el siglo correspondiente.

[[Hechos históricos s XV|Siglo XV]]<br />
[[Hechos históricos s XVI|Siglo XVI]]<br />

== MARCO MUSICAL==
<br />
[[MM Siglo XV|Marco musical del Siglo XV]]<br />
[[MM Siglo XVI|Marco musical del Siglo XVI]]<br />
<br />

== MARCO LITERARIO ==
<br />
 
[[ML Siglo XV|Marco literario del Siglo XV]]<br />
[[ML Siglo XVI|Marco literario del Siglo XVI]]<br />

== MISCELÁNEA ==
<br />
 
<br />
== BIBLIOGRAFÍA ==

<br >
* Ros-Fábregas, Emilio. 2002. The Cardona and Fernández de Córdoba Coats of Arms in the Chigi Codex. Early Music History, 21: 223-258 .
* Kellman, Herbert (ed.) 1999. The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535.  Leuven: Alamire Foundation.
* Kellman, Herbert (ed.) 1988. Vatican, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234. Renaissance Music in Facsimile.  New York.
* Miyazaki, Haruyo. 1985. New light on Ockeghem's Missa 'Mi-mi'. Early Music, 13: 367-75.
* Perkins, Leeman L. 1984. The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison. The Journal of Musicology, 3: 363-96.
* Roth, Adalbert. 1982. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Unpublished Ph.D. dissertation, Johann Wolfgang Goethe-Universität (Frankfurt am Main).
* Russell, Eleanor. 1979. The Missa in Agendis Mortuorum of Juan Garcia de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29: 1-37.
* Brown, Howard Mayer. 1976. Instruments and Voices in the Fifteenth-Century Chanson. Current Thought in Musicology, 89-137. Austin.
* Kellman, Herbert. 1976. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971, 181-216. London, New York, and Toronto.
* Finscher, Ludwig. 1964. Loyset Compere: Life and Works. Musicological Studies and Documents.  American Institute of Musicology.
* Osthoff, Helmuth. 1962. Josquin Desprez. 2 vols. Tutzing.
* Lerner, Edward R (ed.) 1961-70. Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology.
* Finscher, Ludwig (ed.) 1958-. Loyset Compere: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology.
* Kellman, Herbert. 1958. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19.
* Lindenburg, Cornells W H (ed.) 1956. Johannis Regis: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology.
* Robijns, Jozef. 1954. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels.
* Plamenac, Dragan (ed.) 1947-. Johannes Ockeghem: Collected Works.  American Musicological Society.

== DISCOGRAFÍA ==

<br />
* Aines. Mistero Provenzale Medioevale. Ensemble Cantilena Antiqua - Stefano Albarello, dir. Symphonia SY 99 165 
* Teaching Medieval Lyric with modern technology - New Windows on the Medieval World. A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Margaret Switten, dir. & Robert Eisenstein, prod. coord. The Medieval Lyric [CD-ROMx2 + CDx7].
* Teaching Medieval Lyric with modern technology - New Windows on the Medieval World. A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Margaret Switten, dir. & Robert Eisenstein, prod. coord. The Medieval Lyric [CD-ROMx2 + CDx7].
* I Fiamminghi IV. O admirabile commercium. Brumel, Regis, Mouton, Josquin. Cappella Pratensis - Rebecca Stewart. Ricercar 207572.
* Musical Book of Hours. Pomerium - Alexander Blachly. Archiv Produktion 457 586. Archiv "Blue" 474 231.

== ENLACES ==
<br />

<br />