Ver el código de «Italia - Vaticano - Biblioteca Apostolica Vaticana - MS Chigi C.VIII.234»

[[Categoría:Cancioneros Cortesanos s XV]]
[[Categoría:Cancioneros Cortesanos]]
[[Categoría:Temática Ambas]]
[[Categoría:estadisticas CC]]



== FICHA DEL CANCIONERO ==
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707" width="187">Observación general<br /><br /></td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Justificación</td>
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Uno de los autores es [[Juan Fernández de Madrid]]
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Nombre de referencia</td>
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Vaticano - Biblioteca Apostolica Vaticana - MS Chigi C.VIII.234
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Nombre en la edición original</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Otros nombres</td>
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* Chigi Codex
* Códex Chigi
* Códice Chigi

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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Edición original</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">Manuscrito</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Lugar de la edición</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Data de la edición</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">c. 1498-1503</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Ubicación actual del original</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">
Ciudad del Vaticano. Biblioteca Apostolica Vaticana
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Edición facsimil</td>
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* [https://digi.vatlib.it/view/MSS_Chig.C.VIII.234 DIGIVATLIB]
* [https://imslp.org/wiki/Chigi_Codex_(Various) IMSLP]

Hemos encontrado eferencias a un "Facsímil Codex Chigi (1498-1503). Biblioteca Apostólica Vaticana. Belser Verlag, 1992
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Ediciones modernas</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Data obras</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Contenido</td>
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40 obras de las que, 19 Misas, 1 Misa de Requiem, 1 Credo, 19 motetes (1 sin texto)
Música sacra
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Lenguas</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Referencias</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">
* [https://digi.vatlib.it/view/MSS_Chig.C.VIII.234 DIGIVATLIB]
* [https://imslp.org/wiki/Chigi_Codex_(Various) IMSLP]
* [https://hispanicpolyphony.eu/source/22672 Libros de Polifonía Hispana]
* [https://www.diamm.ac.uk/sources/943/#/ DIAM]
* I-Rvat MS Chigi C.VIII.234
* V-CVbav Chigi C.VIII.234

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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Observación 1</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">
El índice que se encuentra en el manuscrito se ealizó en España con posterioridad a la confección del mismo. Dicho índice no contiene 3 obras.
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Observación 2</td>
<td style="border-color: #430707; border-style: solid; border-width: 1px; text-align: justify; padding-left:15px; padding-right:15px">Algunas de las obras tienen más de una parte, motivo por el que algunos autores habla de 49 obras.</td>
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<td style="color: #ff9900; font-weight: bold; padding-left: 10px;" bgcolor="#430707">Observación 3</td>
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== RELACIÓN DE OBRAS ==
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<table style="width: 805px;" border="1" cellspacing="5" cellpadding="0" align="center">
<tr style="background-color: #430707; font-size: large; font-family: trebuchet ms,geneva; color: #ff9900;" align="center">
<td>
<p>Nº</p>
</td>
<td>Nombre</td>
<td>Autor</td>

</tr>
<tr><td align="center" width="5">1</td><td align="left" width="400">Missa Mi mi </td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">2</td><td align="left" width="400">Missa Ecce ancilla Domini</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">3</td><td align="left" width="400">Missa L'homme armé</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">4</td><td align="left" width="400">Missa Fors seullement</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">5</td><td align="left" width="400">Regina caeli laetare alleluia</td><td align="left" width="240">Anónimo</td></tr>
<tr><td align="center" width="5">6</td><td align="left" width="400">Missa Sine Nomine</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">7</td><td align="left" width="400">Missa Ma maîtresse</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">8</td><td align="left" width="400">Missa Caput</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">9</td><td align="left" width="400">Missa De plus en plus</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">10</td><td align="left" width="400">Sancta Trinitas unus Deus miserere nobis II: Sit nomen Domini benedictum</td><td align="left" width="240">Antoine de Fevin</td></tr>
<tr><td align="center" width="5">11</td><td align="left" width="400">Missa Au travail suis</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">12</td><td align="left" width="400">Missa Cuiusvis Toni</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">13</td><td align="left" width="400">Missa Prolationum</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">14</td><td align="left" width="400">Missa Quinti Toni</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">15</td><td align="left" width="400">Missa Requiem aeternam</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">16</td><td align="left" width="400">Quis dabit oculis</td><td align="left" width="240">Jean Mouton</td></tr>
<tr><td align="center" width="5">17</td><td align="left" width="400">Ave Maria </td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">18</td><td align="left" width="400">Ave Maria</td><td align="left" width="240">Loyset Compère</td></tr>
<tr><td align="center" width="5">19</td><td align="left" width="400">Missa Virgo parens Christi</td><td align="left" width="240">Jacobus Barbireau</td></tr>
<tr><td align="center" width="5">20</td><td align="left" width="400">Missa In Mynen zyn</td><td align="left" width="240">Alexander Agricola</td></tr>
<tr><td align="center" width="5">21</td><td align="left" width="400">Missa Almana</td><td align="left" width="240">Pierre de la Rue</td></tr>
<tr><td align="center" width="5">22</td><td align="left" width="400">Credo [Patrem omnipotentem]</td><td align="left" width="240">Pierre de la Rue</td></tr>
<tr><td align="center" width="5">23</td><td align="left" width="400">Missa L'homme armé sexti toni</td><td align="left" width="240">Josquin Despres</td></tr>
<tr><td align="center" width="5">24</td><td align="left" width="400">Missa L'homme armé</td><td align="left" width="240">Antoine Brumel</td></tr>
<tr><td align="center" width="5">25</td><td align="left" width="400">Missa L'homme armé</td><td align="left" width="240">Loyset Compère (Algunos lo atribuyen a Josquin Despres)</td></tr>
<tr><td align="center" width="5">26</td><td align="left" width="400">Stabat mater </td><td align="left" width="240">Josquin Despres</td></tr>
<tr><td align="center" width="5">27</td><td align="left" width="400">Angeli archangeli</td><td align="left" width="240">Heinrich Isaac</td></tr>
<tr><td align="center" width="5">28</td><td align="left" width="400">Lux solemnis adest rutilans</td><td align="left" width="240">Johannes Regis</td></tr>
<tr><td align="center" width="5">29</td><td align="left" width="400">Celcitonantis ave genitrix sublimis Olimpi</td><td align="left" width="240">Johannes Regis</td></tr>
<tr><td align="center" width="5">30</td><td align="left" width="400">Ave rosa speciosa</td><td align="left" width="240">Johannes Regis (?) </td></tr>
<tr><td align="center" width="5">31</td><td align="left" width="400">O admirabile commercium creator generis</td><td align="left" width="240">Johannes Regis</td></tr>
<tr><td align="center" width="5">32</td><td align="left" width="400">Lauda Sion salvatorem</td><td align="left" width="240">Johannes Regis</td></tr>
<tr><td align="center" width="5">33</td><td align="left" width="400">Intemerata Dei mater</td><td align="left" width="240">Jean de Ockeghem</td></tr>
<tr><td align="center" width="5">34</td><td align="left" width="400">Sile fragor ac rerum tumultus</td><td align="left" width="240">Loyset Compère</td></tr>
<tr><td align="center" width="5">35</td><td align="left" width="400">Clangat plebs</td><td align="left" width="240">Regis, Johannes</td></tr>
<tr><td align="center" width="5">36</td><td align="left" width="400">[[Asperges me Domine isopo et mundabor]]</td><td align="left" width="240">Juan Fernandez de Madrid</td></tr>
<tr><td align="center" width="5">37</td><td align="left" width="400">[[Vidi aquam egredientem de templo - Codex Chigi]]</td><td align="left" width="240">Juan Fernandez de Madrid</td></tr>


</table>
<br />

== HECHOS HISTÓRICOS ==
<br />
Si desea ver una relación de hechos históricos de la época, pinche en el siglo correspondiente.

[[Hechos históricos s XV|Siglo XV]]<br />
[[Hechos históricos s XVI|Siglo XVI]]<br />

== MARCO MUSICAL==
<br />
[[MM Siglo XV|Marco musical del Siglo XV]]<br />
[[MM Siglo XVI|Marco musical del Siglo XVI]]<br />
<br />

== MARCO LITERARIO ==
<br />
 
[[ML Siglo XV|Marco literario del Siglo XV]]<br />
[[ML Siglo XVI|Marco literario del Siglo XVI]]<br />

== MISCELÁNEA ==
<br />
 
<br />
== BIBLIOGRAFÍA ==

<br >
* Brown, Howard Mayer. 1976. Instruments and Voices in the Fifteenth-Century Chanson. Current Thought in Musicology, 89-137. Austin. 1976
* Finscher, Ludwig. Loyset Compere: Life and Works. Musicological Studies and Documents.  American Institute of Musicology. 1964.
* Finscher, Ludwig (ed.). Loyset Compere: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. 1958.
* Kellman, Herbert. Josquin and the Courts of the Netherlands and France: The Evidence of the Sources. Josquin des Prez: Proceedings of the International Josquin Festival-Conference ... 21-25 June 1971,  181-216. London, New York, and Toronto. 1976.
* Kellman, Herbert. The Origins of the Chigi Codex: The Date, Provenance, and Original Ownership of Rome, Biblioteca Vaticana, Chigiana, C. VIII. 234. Journal of the American Musicological Society, 11: 6-19. 1958.
* Kellman, Herbert (ed.). The Treasury of Petrus Alamire. Music and art in Flemish Court Manuscripts 1500-1535. Leuven: Alamire Foundation. 1999.
* Kellman, Herbert (ed.). Vatican, Biblioteca Apostolica Vaticana, MS Chigi C VIII 234. Renaissance Music in Facsimile.  New York. 1988.
* Lerner, Edward R (ed.).  Alexandrí Agricola: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. 1961-70.
* Lindenburg, Cornells W H (ed.). Johannis Regis: Opera Omnia. Corpus mensurabilis musicae.  Neuhausen nr. Stuttgart: American Institute of Musicology. 1956.
* Miyazaki, Haruyo. New light on Ockeghem's Missa 'Mi-mi'. Early Music, 13: 367-75. 1985.
* Osthoff, Helmuth. Josquin Desprez. 2 vols. Tutzing. 1962.
* Perkins, Leeman L. The L'Homme Arme Masses of Busnoys and Okeghem: A Comparison. The Journal of Musicology, 3: 363-96. 1984.
* Plamenac, Dragan (ed.). Johannes Ockeghem: Collected Works.  American Musicological Society. 1947.
* Robijns, Jozef. Pierre de la Rue (Circa 1460-1518): Een Bio-Bibliographische Studie.  Brussels. 1954.
* Ros-Fábregas, Emilio. The Cardona and Fernández de Córdoba Coats of Arms in the Chigi Codex. Early Music History, 21: 223-258. 2002.
* Roth, Adalbert. Studien zum frühen Repertoire der Päpstlichen Kapelle unter dem Pontifikat Sixtus' IV. (1471-1484). Die Chorbücher 14 und 51 des Fondo Cappella Sistina der Biblioteca Apostolica Vaticana. Unpublished Ph.D. dissertation, Johann Wolfgang Goethe-Universität (Frankfurt am Main). 1982.
* Russell, Eleanor. The Missa in Agendis Mortuorum of Juan Garcia de Basurto: Johannes Ockeghem, Antoine Brumel, and an Early Spanish Polyphonic Requiem Mass. Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 29: 1-37. 1979.
* Stevenson, Robert. Spanish music in the age of Columbus. Martinus Nijhoff, The Hague, Netherlands. 1960. [https://archive.org/details/spanishmusicinth002030mbp/page/n3 Internet Archive]

== DISCOGRAFÍA ==

<br />
* Aines. Mistero Provenzale Medioevale. Ensemble Cantilena Antiqua - Stefano Albarello, dir. Symphonia SY 99 165 
* Teaching Medieval Lyric with modern technology - New Windows on the Medieval World. A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Margaret Switten, dir. & Robert Eisenstein, prod. coord. The Medieval Lyric [CD-ROMx2 + CDx7].
* Teaching Medieval Lyric with modern technology - New Windows on the Medieval World. A Project Supported by the National Endowment for the Humanities and Mount Holyoke College. Margaret Switten, dir. & Robert Eisenstein, prod. coord. The Medieval Lyric [CD-ROMx2 + CDx7].
* I Fiamminghi IV. O admirabile commercium. Brumel, Regis, Mouton, Josquin. Cappella Pratensis - Rebecca Stewart. Ricercar 207572.
* Musical Book of Hours. Pomerium - Alexander Blachly. Archiv Produktion 457 586. Archiv "Blue" 474 231.

== ENLACES ==
<br />
* Aceeso al Codex Chigi en [https://imslp.org/wiki/Chigi_Codex_(Various) IMSLP].
* Acceso al libro Spanish music in the age of Columbus en [https://archive.org/details/spanishmusicinth002030mbp/page/n3 Internet Archive]
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